![]() ![]() Somebody should have picked up on the similarity at some point during the many stages before Swift’s performance made it on TV. As a frozen image, devoid of the context of whatever she did next, Taylor Swift’s stance and arrangements placed side-by-side next to Beychella can only look unflattering and derivative. There have been plenty of other marching bands in musical performances before, but the Homecoming doc came out so recently that top-of-mind awareness has yet to reside. She also dances while dressed as french fries with fellow pop star Katy Perry, dressed as a burger, with whom she has had a history of squabbles. Obviously, the entire performance wasn’t a wall-to-wall rip-off of Beyoncé, but that matters not. On June 17th, Swift released a cameo-filled music video for the track, featuring several LGBTQ+ icons, including Laverne Cox, the cast of Queer Eye, and Ellen Degeneres. Yo, Taylor, I’m really happy for you, I’mma let you finish, but. “One of these things is not like the other” #BBMAs /3h6MhC2rJG As Swift spoke, a Hennessy-soaked Kanye West catapulted himself to the stage and grabbed the microphone from her hand. The optics of this entrance were all too reminiscent of another recent, iconic performance, the subject of a documentary that dropped on Netflix two weeks ago. ![]() Swift entered the stage, bathed in candy-colored lighting, to perform her latest hit, “ME!” Unfortunately for all involved, she did so while accompanied by marching band drummers.
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